Empowering Latino Art, Artists, and Ideas.
MAS Cultura is a bridge between Austin’s Latino artists and the resources they need to thrive. We ensure Latino communities have access to cultural programming and resources that inspire and educate, and that our vibrant Latino culture remains a cornerstone of Austin.
Connecting Artists with the Resources They Need to Succeed
We create opportunities for Latino artists and advocate for better policies and funding.
Photo by Jay Ybarra
Partnering with the Community to Promote Latino Art
We ensure that Austin’s Latino heritage is not only preserved and celebrated, but a vibrant and growing part of the city’s culture.
Photo by Ed Vela
Bringing Cultural Programming to Our Neighborhoods
We advance underinvested Latino communities with cultural programming that celebrates and educates.
Photo by Jay Ybarra
Artist Spotlight
Louie “Remote” Trujillo
Louie is an Austin Native from the Southside. He attended both Travis and Crockett HS. A pioneer in the scene, he started painting in the 80's. He is a true wildstyle graffiti writer. Louie aka Remote has painted alongside SKAM, the original writer of the Austin graffiti scene.
There have been times in Louie’s life that the odds stacked up against him. Yet time and time again he overcame the turbulence and pulled through. His pillar of strength is his wife Khristel and family.
Throughout the years he would go out & paint walls with a determination to advance his style. Most recently his skills have been focused on repurposing spray cans “Scrap Can Collectables”. Not a single design created by Louie is duplicated, it is each one-of-a kind.
Louie has stayed true to the originality of graffiti and his dedication has led him to be recognized as one of Austin’s most respected pioneers in the scene. His most recent accomplishment is having one of Scrap Can Collectables at West Chelsea Contemporary Gallery exhibit ICONS + VANDALS ATX. This is an extraordinary accomplishment for anyone, especially for a Southside Austin kid.
Photo by Leandra Blei
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On this page: top photo by Erik Velázquez, bottom photo by Jay Ybarra